In the (genius) Coen Brother’s film THE BIG LEBOWSKI, Julianne Moore’s character Maude is an avant garde artist who describes her painting as “strongly vaginal.” Until THE ISLE, I thought that was simply a funny joke upon the traditionally phalocentric world of art. Nay, for few films are as vaginal as the Thai film THE […]

Goddess of ’67

I get the sense that if this film really clicks with you, it is something that you’d really love and hold dear. I, on the other hand, just couldn’t get into the film. The Goddess refers to a particular model of Citroen, leading a Japanese man into the wilds of Australia. I was reminded of […]